SI Exhibitions - NONE OF THE ABOVE

	Curated by John Armleder November 23 2004 - January 15, 2005
with: David Adamo, Dave Allen, Richard Artschwager, Fia Backström, Massimo Bartolini, Francis Baudevin, Patterson Beckwith, Monica Bonvicini, Olaf Breuning, AA Bronson, Maurizio Cattelan, Jan Christensen, Martin Creed, Stéphane Dafflon, Philippe Decrauzat, Jason Dodge, Peter Fischli & David Weiss, Sylvie Fleury, Amy Granat, Timothy Greenfield-Sanders, Fabrice Gygi, Alix Lambert, Bertrand Lavier, Balthazar Lovay, Christian Marclay, Tony Matelli, Mathieu Mercier, Simon Moretti, Olivier Mosset, Amy O'Neill, Mark Orange, Breier P-Orridge, Laurent Pache, Steven Parrino, Mai-Thu Perret, Peter Pumpler, Gerwald Rockenschaub, Markus Sixay, Haim Steinbach, Rudolf Stingel, Blair Thurman, John Tremblay, Pierre Vadi, Xavier Veilhan, Lawrence Weiner, Parker Williams and Jordan Wolfson download checklist here
	installation view including: Mai-Thu Perret, ‘Invocation of my Demon Sister’, 2004, wax and wick, courtesy of the artist. Simon Moretti, ‘Untitled (New York)’, 2004, pirate bunting, courtesy of the artist. Blair Thurman, ‘Man O’War’, 2004, neon, felt pen on plexiglass, courtesy of the artist. Gerwald Rockenschaub, ‘Plexiglas Object’, 2004, Plexiglas and metal, courtesy Galerie Bernhard Knaus, Mannheim. John Tremblay, ‘Hintergedanke’, 2004, acrylic on canvas, courtesy of the artist.
	Intallation view including: Francis Baudevin, Untitled, 2004, waxed paper, courtesy of the artist. Martin Creed, ‘Work No. 121: A crumpled ball of paper in every room in a house’, 2000, Edition 4/10, Courtesy the artist and Hauser & Wirth Zürich London, © Martin Creed.
	Installation view including: Peter Fischli & David Weiss, 'Peanut Shells', 1997, polyurethane, courtesy of the artists. Tony Matelli, 'The End', 2004, brass. courtesy of the artist.
	Installation view including: John Armleder and Jordan Wolfson, ‘John’s Laundry’, laundered SI flag and receipt, 2004, courtesy Parker Williams and Swiss Institute. Maurizio Cattelan, ‘Untitled (John Armleder)’, 1997, Paper Mache, fabric, thread, buttons, suction cups, courtesy 404Team and Galleria Massimo de Carlo
	Jason Dodge, ‘You Always Move in Reverse’, 2004, 1kg silver, glass, tape, courtesy of the artist and Casey Kaplan. Martin Creed, ‘Work No. 121: A crumpled ball of paper in every room in a house’, 2000, Edition 4/10, Courtesy the artist and Hauser & Wirth Zürich London, © Martin Creed.
	Installation view including: Xavier Veilhan, ‘Man on the Phone’, 2004, stereolithography, resin, courtesy of the artist. Jordan Wolfson, ‘In Between’, 2004, Villa Magica Record VMR 1002. Patterson Beckwith, ‘Untitled (Swiss Institute clock/white)’, 2004, clock, courtesy of the artist. Breier P-Orridge, ‘C’est a nous convinenza’, 2004, set of mounted c-prints, courtesy of the artist. Markus Sixay, ‘Blue Chips’, 2004, plastic bottle caps, courtesy of the artist.
	Installation view including: Haim Steinbach,‘Untitled, (racoon)’, 2004, plastic and cloth, courtesy of the artist.
	Installation view including: Richard Artschwager, ‘Hair Blp’, 1989-90, Rubberized horsehair, Ed. of 25, Courtesy of Brooke Alexander Editions.
	Installation view including: Jan Christensen, ‘How come you never come around anymore’, 2003, ink and paper, courtesy of the artist. Pierre Vadi, ‘Joker’, 2004, communion wafer, courtesy of the artist.
	Peter Pumpler, Untitled, 2004, ceramic and paper
	Mark Orange, ‘The Outsider’, 1996, paperback book
	Mai-Thu Perret, ‘Invocation of my Demon Sister’, 2004, wax and wick, courtesy of the artist. Simon Moretti, ‘Untitled (New York)’, 2004, pirate bunting, courtesy of the artist. Pierre Vadi, 'Joker' 2004, communion wafer. Jan Christensen, 'How Come You're Never Around Anymore?' 2003, ink and paper.