Kim Levin, The Village Voice, Voice Choice Shortlist, July 2, 2002, p.78 Olaf Breuning Sublety isn't exactly this brash young artist's forte. And the jagged hole in the wall through which you enter his trashed library is a bit too close for comfort to the hole in the wall into fellow Swiss artist Christoph Buchel's installation at Maccarone a while ago. What Breuning excels at is glam-trash cliche, willful crudity, pretensions of profundity, and special effects. Step through another hole in the wall and you'll be sucked into a vortexing tunnel of blue light that leads to a hallucinatory red skeleton, a bodacious ax-wielding sex doll in a deluxe coffin, and mounds of dirt. The vocoder-addled tune adds to the hollow spectacle of "Hello Darkness". Through August 3, Swiss Institute, 495 Broadway, 925-2035.