French Version
How far
can we stretch reality until it breaks? How many layers can
we add on to reality before it collapses? These questions
are at the heart of LIQUID SKY, a group exhibition, the first
installment in a series of projects organized by Marc-Olivier
Wahler about the elasticity of the real.
The
second exhibition in the series will be held at the Swiss
Institute-Contemporary art in New York: EXTRA, from March
5 through April 26 2003.
1. When
the gas runs out, the motors stop. Silence sets in and the
extraterrestrials arrive.
2. In
the exhibition, LIQUID SKY, 28 cars are overturned and meticulously
parked, one next to the other. Walking on the new floor, formed
by the chassis, or through the upside down interiors of the
cars, we feel as though the world has been turned on its head.
Alone
in another room lit with an atmosphere of twilight; a sleepwalker
seems to be lost. The deafening buzz of a helicopter tears
through the space every 15 minutes.
3. The
Huey UH-1H or the Sikorsky Black Hawk - the models used by
the CIA when they perform undercover operations - the Black
Helicopters bear no identifying marks. Through their tinted
windows they monitor close encounters of the third kind.
4. In
the film LIQUID SKY, invisible aliens in a tiny flying saucer
come to earth looking for heroin. They land on the roof of
a New York apartment, where a drug dealer lives with his top
model girl friend: the androgynous, bisexual nymphomaniac,
Margaret. The aliens soon discover that the human pheromone
created in the brain during orgasm by Margaret's many lovers
is preferable to the heroin they had been searching for. The
model's casual sex partners begin to disappear.
5. When
we are underwater and we lift our heads, what do we see? The
sky or the surface of the water? And a sleepwalker: what does
he see?
6. LIQUID
SKY evokes the moment of floating, while jumping up, just
before changing directions to return back down to the earth.
A brief second of elation, extended during the course of this
exhibition. LIQUID SKY initiates a series of projects, taking
on the theme of the diverse forms of the real, in order to
reveal its extreme elasticity. Art of today glides on the
surfaces of the visible and reveals the limitless number of
layers that make up its construction. Art of LIQUID SKY contributes
to the densification of the real, to the complexities of the
real. Art does not attempt to develop new worlds or new platforms
outside of reality. It constitutes a movement, an energy,
a constant oscillation which serves to shake up our interpretive
system. It is the pump, which dilates and contracts reality.
(Marc-Olivier Wahler)
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