Do You Like Stuff?

Inspired by the work of a generation of great indexers and amassers such as Peter Fischli & David Weiss, Dieter Roth, or the Bechers who were able to create concise archives of the visible and experiential world the younger artists presented in Do You Like Stuff? deal with an ever-growing ‘whole’ that has reached gloriously monstrous heights with the current chaotic ordering of digital information.

Like Douglas Huebler, who set out to photographically document the existence of everyone alive with his Variable Piece No. 70 of 1971, the artists in Do You Like Stuff? embrace the impossible. Acknowledging the long-standing artistic project of representing “an everything,” the work in this exhibition re-thinks the impossibility of carving a concise, poetic index from today’s overwhelming mass of information.

The work in Do You Like Stuff? speaks to a moment in our culture where information is propagating without an efficient mechanism for maintaining order. Artists face this pandemonium in different ways: some dive straight into it, like Barb Choit or Graham Parker who deal directly with the supposed waste of the internet, treating spam and ebay jpegs with the care and attention of archivists. Daniel Lefcourt tests the limits of meaning and representation through the strategy of collecting and displaying of a lexical series of images. Mark Orange contributes to and updates a musical discussion between Erik Satie and John Cage about the density of time and repetition with his Digital Vexations. Mike Bouchet creates a compendium of texts from hundreds of Hollywood screenplays that endlessly scroll on screen: a veritable “film festival for readers”. David Adamo and Beth Howe recognize the value of delving into every nook and cranny of our too-dense reality: Adamo acts as an arcane stalker-investigator, and Howe turns the situationist model of the dérive inside out as she reports on her intellectual starts and stops through the library. Frank Olive, both on his own and with collaborator Rudy Shepherd, collects, catalogues and presents everyday ideas and objects, attempting to provide his viewers with an experience of order and comfort, opposing the tendency towards disorder.